MOSTLY MARTHA (2001)
Directed by Sandra Nettelbeck
German, 109 min.
When a headstrong chef takes charge of her equally stubborn 8-year-old niece, the tensions between them mount…until an Italian sous-chef arrives to lighten the mood. See the deliciously romantic original that inspired the Hollywood remake No Reservations.
SWEET BEAN (2015)
Directed by Naomi Kawase
Japanese, 113 min.
Sentaro, a stall manager, struggles with making a decent dorayaki, a pancake-like treat with a sweet bean paste. When Tokue, a septuagenarian, comes to the shop with a solution to his problems, they all get a lesson about tolerance, compassion and good food.
THE APOLOGY (2016)*
Directed by Tiffany Hsiung
Korean, Chinese, Tagalog, Japanese, 104 min.
During World War II, more than 200,000 women were trafficked as sexual slaves euphemistically known as “comfort women.” This moving documentary tracks the lives of survivors as they seek an apology from the Japanese government.
CASTAWAY ON THE MOON (2009)*
Directed by Lee Hae-jun
Korean, 116 min.
After jumping off a bridge in a failed suicide attempt, a man finds himself stranded on a small island in the Han River. Although the city of Seoul is visible, the man is unable to swim to shore. When a recluse spots him with her telescope, an unconventional romance ensues.
THE EIGHT MOUNTAINS (2022)*
Directed by Felix Groeningen & Charlotte Vandermeersch
Italian, 147 Min.
Boyhood friends who meet in a remote village nestled in the Italian Alps navigate the challenges of growing up and finding a place in the world. This breathtaking adaptation of the novel won the Jury Prize at the 2022 Cannes Film Festival.
THE HOLY INNOCENTS (1984)
Directed by Mario Camus
Spanish, 107 Min.
Tenant farmers exploited by wealthy landowners in 1960s Spain long for a better life. This critically acclaimed adaptation of the novel of the same name became the highest grossing film in Spain shortly after its release.
MONSOON WEDDING (2001)*
Directed by Mira Nair
Hindi, 114 Min.
A stressed father, a bride-to-be with a secret, a smitten event planner, and relatives from around the world prepare for an arranged marriage in New Delhi, India in this romantic dramedy.
STALKER (1979)
Directed by Andrei Tarkovsky
Russian, 162 Min.
In this Soviet-era sci-fi art film directed by Tarkovsky–one of the most influential filmmakers in cinematic history—a man known as “Stalker” leads two clients on an expedition into a forbidden zone that contains an area called the Room, where wishes are purportedly granted.
GHOST FLEET (2018)
Directed by Shannon Service & Jeffrey Waldron
Khmer, Thai, 90 Min.
The harsh reality of modern slavery is revealed within the Thai fishing industry by tracking activists on a perilous mission to rescue enslaved fishermen. This film sheds light on the human toll of global supply chains, emphasizing the urgent need for justice and systemic reform in the face of widespread exploitation.
UNDER THE FIG TREES (2021)
Directed by Erige Sehiri
Arabic, 92 Min.
During the summer fig harvest in Tunisia, young men and women find moments for flirtation, gossip, and conversation over the course of a day. With beautiful cinematography and realistic performances by nonprofessional actors, this debut fiction feature resonates with beauty and tenderness.
WATSON (2019)*
Directed by Lesley Chilcott
English, 99 Min.
This documentary explores the life of Captain Paul Watson, the founder of Sea Shepherd Conservation Society, and his forty-year struggle to end unethical fishing practices and to preserve ocean life and its habitat.
A HOUSE MADE OF SPLINTERS (2023)*
Directed by Simon Lereng Wilmont
Ukranian, Russian, 87 Min.
In Eastern Ukraine, at an orphanage, children anticipate court custody decisions following their removal from homes. This compelling documentary shares the committed efforts of the staff as they endeavor to establish a secure and nurturing environment amid the uncertainties surrounding the children’s lives.
PATEMA INVERTED (2013)
Directed by Yasuhiro Yoshiura
Japanese, 98 Min.
A young girl from a civilization that resides in deep underground tunnels finds herself trapped in an inverted world and develops a relationship with a boy who decides to help her escape and return home.
CHASING ICE (2012)*
Directed by Jeff Orlowski-Yang
English, 75 Min.
Photographer James Balog documents the rapid melting of glaciers and ice caps, revealing stunning time-lapse images that serve as a powerful visual testament to the profound impact of global warming on frozen landscapes.
TIME (2020)*
Directed by Garrett Bradley
English, 81 Min.
This acclaimed documentary intimately follows the life of Fox Rich, a woman fighting for the release of her husband, Rob, who is serving a 60-year prison sentence. Through a decade-spanning exploration, the film lyrically delves into themes of love, resilience, and the impact of mass incarceration on a family’s life.
1001 GRAMS (2014)*
Directed by Bent Hamer
Norwegian, French, 93 Min.
Marie, who works at the Norwegian Institute of Weights and Measures, must transport an encased platinum–iridium compound to a kilo conference in Paris after her esteemed father is hospitalized. When Marie meets an outgoing man named Pi, she finds herself reassessing her measured life and its fight against chaos.
THE TERRITORY (2022)*
Directed by Alex Prtiz
Portuguese, Tupi, 85 Min.
When a network of Brazilian farmers seizes a protected area of the Amazon rainforest, a young Indigenous leader and his mentor must fight back in defense of the land and an uncontacted group living deep within the forest.
ARGENTINA, 1985 (2022)*
Directed by Santiago Mitre
Spanish, 140 Min.
In this thrilling drama inspired by a true story, a fearless team of unlikely heroes takes on a perilous legal fight against Argentina’s most brutal military dictatorship.
BEFORE, NOW AND THEN (2022)
Directed by Kamila Andini
Indonesian, 103 Min.
After losing her family to an anti-communist purge in West Java, beautiful Nana marries a wealthy man and forms an unlikely friendship with his mistress.
WASTE LAND (2010)
Directed by Lucy Walker
Portuguese, 99 Min.
Brazilian artist Vik Muniz collaborates with garbage pickers at the world’s largest landfill, Jardim Gramacho (near Rio de Janeiro), to create art from recycled materials. Through this process, the film highlights the transformative power of artistry while casting an empathetic light on the lives of those working in challenging conditions.
IN A BETTER WORLD (2010)*
Directed by Susanne Bier
Danish, Swedish, English, Arabic, 118 Min.
This tense Oscar-winning drama explores the competing human drives to seek revenge or peace as a father cares for victims of war crimes in Sudan while his son contends with school bullying at home in Denmark.
THE NASTY GIRL (1990)*
Directed by Michael Verhoeven
German, 92 Min.
A young woman delves into her town’s history, unearthing uncomfortable truths about its collaboration with the Nazis. As she persistently uncovers dark secrets, her pursuit of truth challenges societal norms and exposes the complexities of confronting a painful past.
THIS IS NOT A FILM (2011)
Directed by Mojtaba Mirtahmasb & Jafar Panahi
Persian, 75 Min.
Iranian director Jafar Panahi, under house arrest, creatively documents a day in his life, offering a poignant and courageous reflection on artistic expression under oppressive conditions.
THE OTHER SON (2012)*
Directed by Lorraine Lévy
French, Arabic, Hebrew, English, 105 Min.
When two young men, one Israeli and the other Palestinian, discover they were accidentally switched at birth, they and their parents must come to terms with the culturally and politically fraught revelation.
WE ARE THE BEST (2013)*
Directed by Lukas Moodysson
Swedish, 102 Min.
In this charming story of friendship and girl power set in 1980s Stockholm, three friends decide to form a punk band despite their lack of instruments and experience and the criticism of those who believe punk is dead.
DEATH OF A CYCLIST (1955)
Directed by Juan Antonio Bardem
Spanish, 88 Min.
Two lovers hit a bicyclist and do not stop to help for fear that their affair will be exposed. Equal parts Hitcockian thriller and neorealist social commentary, this classic questions the privilege of the upper-class power structures.
BLINDED BY THE LIGHT (2019)
Directed by Gurinder Chadha
English, Urdu, 118 Min.
In this heartfelt story inspired by real life, a depressed young British-Pakistani student with an overbearing father finds hope and escape when a friend introduces him to the music of Bruce Springsteen. Can music bridge generational divides?
GIRLHOOD (2014)*
Directed by Céline Sciamma
French, 113 Min.
On the outskirts of Paris, four friends confront the challenges of life on the margins. Although the film tackles issues of race, class, and gender, it does so in a deeply humanistic manner, celebrating resilience and friendship amid trying circumstances.
THE ETERNAL FEMININE (2017)*
Directed by Natalia Beristain
Spanish, 85 Min.
Rosario Castellanos, a shy university student, becomes a voice for the feminist movement in 1950s Mexico.
FINNISH BLOOD, SWEDISH HEART (2012)*
Directed by Mika Ronkainen
Swedish, Finnish, 90 Min.
In this documentary-musical-drama hybrid, a father-son road trip becomes an emotional journey into family identity and the broader story of Finnish immigration into Sweden.
I AM NOT MADAME BOVARY (2016)*
Directed by Xiaogang Feng
Mandarin, 128 Min.
Stunningly filmed in four aspect ratios (circular, square, widescreen, anamorphic widescreen), this adaptation of the novel I Did Not Kill My Husband follows the attempts of a poor villager to seek justice after a fake divorce scheme goes horribly wrong. Can one woman take on bureaucratic culture to clear her name?
FOUR DAUGHTERS (2023)*
Directed by Kaouther Ben Hania
Arabic, 107 Min.
The two eldest of OIfa’s four daughters have gone missing. In this touching and unconventional documentary about family bonds, two actresses step in to play the missing sisters alongside the real family, and a third steps in for Olfa when reenactments are too painful.
LIKE FATHER, LIKE SON (2013)
Directed by Kore-eda Hirokazu
Japanese, 121 Min.
When successful businessman Ryota learns that his biological son was switched with another boy at birth, he faces the difficult decision to choose his true son or the boy he and his wife have raised as their own.
IN BLOOM (2013)*
Directed by Nana Ekvtimishvili & Simon Groß
Georgian, 102 Min.
Set in Tbilisi, Georgia shortly after the dissolution of the Soviet Union, this coming-of-age tale features two teenage girls who must grow up quickly in their search for happiness and empowerment.
HAWA (2022)*
Directed by MaÏmouna Doucouré
French, Bambara, 104 Min.
Hawa, a young girl who lives in Paris with her terminally ill grandmother, decides that the best way to avoid foster care is to ask Michelle Obama to be her adoptive mother. Determined at any cost to track down the former First Lady who is in France on a book tour, Hawa embarks on an adventurous quest.
THE TREE OF LIFE (2011)
Directed by Terrence Malick
English, 139 Min.
From the beginnings of life on Earth to the spiritual and emotional ponderings of a family in 1950s Texas, this sweeping and genre-defying poetic Palme d’Or winner is a metaphysical meditation on family and spirituality like no other.
FILL THE VOID (2012)
Directed by Rama Burshtein
Hebrew, 90 Min.
A devout 18-year-old Israeli is pressured to marry the husband of her late sister. Declaring her independence is not an option in Tel Aviv’s ultra-Orthodox Hasidic community, where religious law, tradition and the rabbi’s word are absolute.
THE LAST LAUGH (1924)
Directed by F. W. Murnau
Slient-German, 77 Min.
This film explores the profound impact on a doorman’s life when he is replaced by a younger colleague. Revered for its innovative use of visual storytelling and nuanced themes of class, identity, and societal expectations in the context of 1920s Germany, The Last Laugh still resonates 100 years later.
HONEY (2010)
Directed by Semih Kaplanoglu
Turkish, 103 Min.
The quiet life of a boy and his family is imperiled when his father does not return home from collecting honey in the forest.
SCRAPPER (2023)*
Directed by Charlotte Regan
English, 84 Min.
Resourceful and scrappy 12-year-old Georgie has been living alone since the death of her mother. When her estranged father turns up, the two must come to terms with reality. This delightful dramedy took the Grand Jury Prize for the World Cinema Dramatic Competition at the 2023 Sundance Film Festival.
THE BÊLIER FAMILY (2014)*
Directed by Eric Lartigau
French, French Sign Language, 106 Min.
The hearing daughter of deaf parents discovers that she has a gift for singing. How will the pursuit of her musical ambitions impact the family farm? This French-Belgian coming-of-age tale was remade in 2021 as CODA.
THE BÊLIER FAMILY (2014)*
Directed by Eric Lartigau
French, French Sign Language, 106 Min.
The hearing daughter of deaf parents discovers that she has a gift for singing. How will the pursuit of her musical ambitions impact the family farm? This French-Belgian coming-of-age tale was remade in 2021 as CODA.
Wednesday, Apr. 10— 5:35PM
Thursday, Apr. 11 — 9:00PM
Friday, Apr. 12 — 4:15PM
Saturday, Apr. 13— 12:20PM
Saturday, Apr. 13— 6:30PM
MOSTLY MARTHA (2001)
Directed by Sandra Nettelbeck
German, 109 min.
When a headstrong chef takes charge of her equally stubborn 8-year-old niece, the tensions between them mount…until an Italian sous-chef arrives to lighten the mood. See the deliciously romantic original that inspired the Hollywood remake No Reservations.
SWEET BEAN (2015)
Directed by Naomi Kawase
Japanese, 113 min.
Sentaro, a stall manager, struggles with making a decent dorayaki, a pancake-like treat with a sweet bean paste. When Tokue, a septuagenarian, comes to the shop with a solution to his problems, they all get a lesson about tolerance, compassion and good food.
THE APOLOGY (2016)*
Directed by Tiffany Hsiung
Korean, Chinese, Tagalog, Japanese, 104 min.
During World War II, more than 200,000 women were trafficked as sexual slaves euphemistically known as “comfort women.” This moving documentary tracks the lives of survivors as they seek an apology from the Japanese government.
CASTAWAY ON THE MOON (2009)*
Directed by Lee Hae-jun
Korean, 116 min.
After jumping off a bridge in a failed suicide attempt, a man finds himself stranded on a small island in the Han River. Although the city of Seoul is visible, the man is unable to swim to shore. When a recluse spots him with her telescope, an unconventional romance ensues.
THE EIGHT MOUNTAINS (2022)*
Directed by Felix Groeningen & Charlotte Vandermeersch
Italian, 147 Min.
Boyhood friends who meet in a remote village nestled in the Italian Alps navigate the challenges of growing up and finding a place in the world. This breathtaking adaptation of the novel won the Jury Prize at the 2022 Cannes Film Festival.
THE HOLY INNOCENTS (1984)
Directed by Mario Camus
Spanish, 107 Min.
Tenant farmers exploited by wealthy landowners in 1960s Spain long for a better life. This critically acclaimed adaptation of the novel of the same name became the highest grossing film in Spain shortly after its release.
MONSOON WEDDING (2001)*
Directed by Mira Nair
Hindi, 114 Min.
A stressed father, a bride-to-be with a secret, a smitten event planner, and relatives from around the world prepare for an arranged marriage in New Delhi, India in this romantic dramedy.
STALKER (1979)
Directed by Andrei Tarkovsky
Russian, 162 Min.
In this Soviet-era sci-fi art film directed by Tarkovsky–one of the most influential filmmakers in cinematic history—a man known as “Stalker” leads two clients on an expedition into a forbidden zone that contains an area called the Room, where wishes are purportedly granted.
GHOST FLEET (2018)
Directed by Shannon Service & Jeffrey Waldron
Khmer, Thai, 90 Min.
The harsh reality of modern slavery is revealed within the Thai fishing industry by tracking activists on a perilous mission to rescue enslaved fishermen. This film sheds light on the human toll of global supply chains, emphasizing the urgent need for justice and systemic reform in the face of widespread exploitation.
UNDER THE FIG TREES (2021)
Directed by Erige Sehiri
Arabic, 92 Min.
During the summer fig harvest in Tunisia, young men and women find moments for flirtation, gossip, and conversation over the course of a day. With beautiful cinematography and realistic performances by nonprofessional actors, this debut fiction feature resonates with beauty and tenderness.
WATSON (2019)*
Directed by Lesley Chilcott
English, 99 Min.
This documentary explores the life of Captain Paul Watson, the founder of Sea Shepherd Conservation Society, and his forty-year struggle to end unethical fishing practices and to preserve ocean life and its habitat.
A HOUSE MADE OF SPLINTERS (2023)*
Directed by Simon Lereng Wilmont
Ukranian, Russian, 87 Min.
In Eastern Ukraine, at an orphanage, children anticipate court custody decisions following their removal from homes. This compelling documentary shares the committed efforts of the staff as they endeavor to establish a secure and nurturing environment amid the uncertainties surrounding the children’s lives.
PATEMA INVERTED (2013)
Directed by Yasuhiro Yoshiura
Japanese, 98 Min.
A young girl from a civilization that resides in deep underground tunnels finds herself trapped in an inverted world and develops a relationship with a boy who decides to help her escape and return home.
CHASING ICE (2012)*
Directed by Jeff Orlowski-Yang
English, 75 Min.
Photographer James Balog documents the rapid melting of glaciers and ice caps, revealing stunning time-lapse images that serve as a powerful visual testament to the profound impact of global warming on frozen landscapes.
TIME (2020)*
Directed by Garrett Bradley
English, 81 Min.
This acclaimed documentary intimately follows the life of Fox Rich, a woman fighting for the release of her husband, Rob, who is serving a 60-year prison sentence. Through a decade-spanning exploration, the film lyrically delves into themes of love, resilience, and the impact of mass incarceration on a family’s life.
1001 GRAMS (2014)*
Directed by Bent Hamer
Norwegian, French, 93 Min.
Marie, who works at the Norwegian Institute of Weights and Measures, must transport an encased platinum–iridium compound to a kilo conference in Paris after her esteemed father is hospitalized. When Marie meets an outgoing man named Pi, she finds herself reassessing her measured life and its fight against chaos.
THE TERRITORY (2022)*
Directed by Alex Prtiz
Portuguese, Tupi, 85 Min.
When a network of Brazilian farmers seizes a protected area of the Amazon rainforest, a young Indigenous leader and his mentor must fight back in defense of the land and an uncontacted group living deep within the forest.
ARGENTINA, 1985 (2022)*
Directed by Santiago Mitre
Spanish, 140 Min.
In this thrilling drama inspired by a true story, a fearless team of unlikely heroes takes on a perilous legal fight against Argentina’s most brutal military dictatorship.
BEFORE, NOW AND THEN (2022)
Directed by Kamila Andini
Indonesian, 103 Min.
After losing her family to an anti-communist purge in West Java, beautiful Nana marries a wealthy man and forms an unlikely friendship with his mistress.
WASTE LAND (2010)
Directed by Lucy Walker
Portuguese, 99 Min.
Brazilian artist Vik Muniz collaborates with garbage pickers at the world’s largest landfill, Jardim Gramacho (near Rio de Janeiro), to create art from recycled materials. Through this process, the film highlights the transformative power of artistry while casting an empathetic light on the lives of those working in challenging conditions.
IN A BETTER WORLD (2010)*
Directed by Susanne Bier
Danish, Swedish, English, Arabic, 118 Min.
This tense Oscar-winning drama explores the competing human drives to seek revenge or peace as a father cares for victims of war crimes in Sudan while his son contends with school bullying at home in Denmark.
THE NASTY GIRL (1990)*
Directed by Michael Verhoeven
German, 92 Min.
A young woman delves into her town’s history, unearthing uncomfortable truths about its collaboration with the Nazis. As she persistently uncovers dark secrets, her pursuit of truth challenges societal norms and exposes the complexities of confronting a painful past.
THIS IS NOT A FILM (2011)
Directed by Mojtaba Mirtahmasb & Jafar Panahi
Persian, 75 Min.
Iranian director Jafar Panahi, under house arrest, creatively documents a day in his life, offering a poignant and courageous reflection on artistic expression under oppressive conditions.
THE OTHER SON (2012)*
Directed by Lorraine Lévy
French, Arabic, Hebrew, English, 105 Min.
When two young men, one Israeli and the other Palestinian, discover they were accidentally switched at birth, they and their parents must come to terms with the culturally and politically fraught revelation.
WE ARE THE BEST (2013)*
Directed by Lukas Moodysson
Swedish, 102 Min.
In this charming story of friendship and girl power set in 1980s Stockholm, three friends decide to form a punk band despite their lack of instruments and experience and the criticism of those who believe punk is dead.
DEATH OF A CYCLIST (1955)
Directed by Juan Antonio Bardem
Spanish, 88 Min.
Two lovers hit a bicyclist and do not stop to help for fear that their affair will be exposed. Equal parts Hitcockian thriller and neorealist social commentary, this classic questions the privilege of the upper-class power structures.
BLINDED BY THE LIGHT (2019)
Directed by Gurinder Chadha
English, Urdu, 118 Min.
In this heartfelt story inspired by real life, a depressed young British-Pakistani student with an overbearing father finds hope and escape when a friend introduces him to the music of Bruce Springsteen. Can music bridge generational divides?
GIRLHOOD (2014)*
Directed by Céline Sciamma
French, 113 Min.
On the outskirts of Paris, four friends confront the challenges of life on the margins. Although the film tackles issues of race, class, and gender, it does so in a deeply humanistic manner, celebrating resilience and friendship amid trying circumstances.
THE ETERNAL FEMININE (2017)*
Directed by Natalia Beristain
Spanish, 85 Min.
Rosario Castellanos, a shy university student, becomes a voice for the feminist movement in 1950s Mexico.
FINNISH BLOOD, SWEDISH HEART (2012)*
Directed by Mika Ronkainen
Swedish, Finnish, 90 Min.
In this documentary-musical-drama hybrid, a father-son road trip becomes an emotional journey into family identity and the broader story of Finnish immigration into Sweden.
I AM NOT MADAME BOVARY (2016)*
Directed by Xiaogang Feng
Mandarin, 128 Min.
Stunningly filmed in four aspect ratios (circular, square, widescreen, anamorphic widescreen), this adaptation of the novel I Did Not Kill My Husband follows the attempts of a poor villager to seek justice after a fake divorce scheme goes horribly wrong. Can one woman take on bureaucratic culture to clear her name?
FOUR DAUGHTERS (2023)*
Directed by Kaouther Ben Hania
Arabic, 107 Min.
The two eldest of OIfa’s four daughters have gone missing. In this touching and unconventional documentary about family bonds, two actresses step in to play the missing sisters alongside the real family, and a third steps in for Olfa when reenactments are too painful.
LIKE FATHER, LIKE SON (2013)
Directed by Kore-eda Hirokazu
Japanese, 121 Min.
When successful businessman Ryota learns that his biological son was switched with another boy at birth, he faces the difficult decision to choose his true son or the boy he and his wife have raised as their own.
IN BLOOM (2013)*
Directed by Nana Ekvtimishvili & Simon Groß
Georgian, 102 Min.
Set in Tbilisi, Georgia shortly after the dissolution of the Soviet Union, this coming-of-age tale features two teenage girls who must grow up quickly in their search for happiness and empowerment.
HAWA (2022)*
Directed by MaÏmouna Doucouré
French, Bambara, 104 Min.
Hawa, a young girl who lives in Paris with her terminally ill grandmother, decides that the best way to avoid foster care is to ask Michelle Obama to be her adoptive mother. Determined at any cost to track down the former First Lady who is in France on a book tour, Hawa embarks on an adventurous quest.
THE TREE OF LIFE (2011)
Directed by Terrence Malick
English, 139 Min.
From the beginnings of life on Earth to the spiritual and emotional ponderings of a family in 1950s Texas, this sweeping and genre-defying poetic Palme d’Or winner is a metaphysical meditation on family and spirituality like no other.
FILL THE VOID (2012)
Directed by Rama Burshtein
Hebrew, 90 Min.
A devout 18-year-old Israeli is pressured to marry the husband of her late sister. Declaring her independence is not an option in Tel Aviv’s ultra-Orthodox Hasidic community, where religious law, tradition and the rabbi’s word are absolute.
THE LAST LAUGH (1924)
Directed by F. W. Murnau
Slient-German, 77 Min.
This film explores the profound impact on a doorman’s life when he is replaced by a younger colleague. Revered for its innovative use of visual storytelling and nuanced themes of class, identity, and societal expectations in the context of 1920s Germany, The Last Laugh still resonates 100 years later.
HONEY (2010)
Directed by Semih Kaplanoglu
Turkish, 103 Min.
The quiet life of a boy and his family is imperiled when his father does not return home from collecting honey in the forest.
SCRAPPER (2023)*
Directed by Charlotte Regan
English, 84 Min.
Resourceful and scrappy 12-year-old Georgie has been living alone since the death of her mother. When her estranged father turns up, the two must come to terms with reality. This delightful dramedy took the Grand Jury Prize for the World Cinema Dramatic Competition at the 2023 Sundance Film Festival.
THE BÊLIER FAMILY (2014)*
Directed by Eric Lartigau
French, French Sign Language, 106 Min.
The hearing daughter of deaf parents discovers that she has a gift for singing. How will the pursuit of her musical ambitions impact the family farm? This French-Belgian coming-of-age tale was remade in 2021 as CODA.